Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-0

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-1

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-2

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-3

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-4

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-5

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century-6

Style Other / Ref.12655

Ettore XIMENES (1855-1926) (attr. to), « Boy with a beret », Carrara marble bust, Second half of the 19th century

Dimensions
Width 14'' ⅛  36cm
Height 26'' ¾  68cm
Depth: 10'' ¼  26cm

Origin:
19th century.

Status:
Good condition.

This Carrara marble bust was made in the second half of the 19th century, it depicts a boy with young features, his head turned slightly to the left. He is dressed with a sailor collar jacket and a large beret.

This sculpture can be compared with another bust depicting a similar subject and made by the Italian sculptor Ettore Ximenes (1855 – 1926). It's the representation of a boy, obvisouly a little bit older than ours, frowning and smoking a cigarette. He is dressed with a fabric around his shoulders and a beret put on his head in the same way than in our bust.

Ettore Ximenes is an Italian sculptor, painter and illustrator, born in 1855 in Palermo and dead in Roma in 1926. He starts his artistic career by taking class at the Art Academy of Palermo, then from 1872 he enters the Royal Academy of Napoli where he spends time with the painter Domenico Morelli (1826 – 1901) and the sculptors Stanislao Lista (1924 - 1908) and Vincenzo Gemito (1852 – 1929). Finally, he wins in 1874, a scholarship to study for four years in Firenze. The works of art he makes at his beginning are very realistic like in the two busts presented here. Later, he starts adding symbolic elements et Neo-Renaissance ones answering the artistic trend of the end of the century. All along his career, he participates to many European exhibitions such as the International Exhibition of Vienna in 1873 or the one in Paris in 1878 where he meets the French sculptors Auguste Rodin (1840 – 1917) and Jean-Baptiste Carpeaux (1827 - 1875). He participates also to the Napoli exhibition in 1877 where he exhibits a full-size sculpture untitled “Balance” which depicts a gymnast woman walking on a sphere, of which many small bronzes were made after. From the 80's, he makes many monumental projects in Italy and decides to dedicate himself to it from 1911 to enliven the public spaces of the world by sculpting for some cities like New York, Sao Paulo, Kiev or Buenos Aires.